MY HEARTS ARE YOUR HEARTS
Is a collection of nineteen of my new stories, and it includes an essay discussing how the stories were written.
It will be published in 2015 by Spineless Wonders.
The cover image is by Griff Clemens.
The cover design is by Sandy Cull.
COMMENTS ON THE COLLECTION
‘Intimate and witty, romantic and ironic, and, above all, compassionate, Carmel Bird’s extraordinary stories do more than take you in — they abduct you.’ Robert Drewe
‘These stories tell whole lives, but—like a bowerbird—Carmel has caught up the very brightest bits and piled them into a glittering trove. Her witty, sharp-eyed narrators never fail to tell you what you really want to know about love, sex, death, art—and the heart, in all its many guises.’ Danielle Wood
'Delicious and disturbing stories from a great Australian storyteller.' Brenda Walker
Dear Writer Revisited, first published in 1988 as Dear Writer, has been revised and brought up to date for writers in the 21st century. It will be published in paperback and eBook in October 2013.
PUBLISHED BY Spineless Wonders
READ WHAT PEOPLE ARE SAYING
"Carmel Bird has updated her brilliant guide to those who are perplexed by writing. Dear Writer is a dazzling, humane and witty book which will be enlightening for anyone who picks it up, however experienced she or he may be. This is a classic account of how to write. I know of nothing that equals it." Peter Craven
“I first readDear Writer as a nervy, secretive scribbler-in-journals 20 years ago. Reading this revised version I’m struck again by its practical generosity on technical matters - but am also inspired by the deeper, more complex conversations I think I missed in those early readings: about courage, about the urgency and mystery and self-discovery of the writing process.Dear Writer Revisited may masquerade – convincingly – as a book for beginners, but its lessons are mature and wise.” Charlotte Wood
“Bird generously shares her writing wisdom, gives courage and provides activities and inspiration (both concrete and abstract) in these reinvigorated letters from Virginia to Writer. From mining personal experience to overcoming self-doubt, tips on revision to keeping notes, Dear Writer Revisited is warm and nudging, firm and affirming.” Angela Meyer
“Updated to accommodate the changes that the digital age has thrust upon us, this new edition of Carmel Bird’s imaginative, shrewd and reader-friendly guide for writers is still full of excellent advice, and is still a pleasure to read for its own sake.” Kerryn Goldsworthy
ONCE UPON A TIME IN OZ
Griffith Review 42, December 2013
As Guest Editor of this issue of the journal, it was my pleasure to work with Editor Julianne Schultz to put together fiction and essays on the topic of the folktales and fairytales in various realms of Australian life and literature.
My Introduction ‘Dreaming the Place’ can be read on my blog:
CHILDREN'S PICTURE BOOK
A children's picture book, published in May 2012 by Penguin. The text is by Carmel Bird, and the illustrations are by Kerry Argent.
Carmel was inspired to write the story when she read that urban foxes often collect shoes which they then hoard in their dens.
Finola is a bright young fox, planning to open a gallery where she will display her collection of designer shoes.
She longs to find the pair to a beuatiful green shoe.
Helping her in her quest is Frederick Fox.
Will romance blossom between these two gorgeous creatures?
by Fourth Estate
1st July 2010
Child of the
The novel was
launched by Ian Britain
in February 2010
Ian: "These days I give
a new novel I may pick up about twenty
minutes to get me hooked. I give it up
after that if I’m not confident of two
things: that it’s going to be about
everything, and that I’m going to find
myself coming into it. ‘My idea of a
writer,’ says Susan Sontag, is ‘someone
interested in everything.’
Carmel Bird’s new novel is not just about
everything but is set in everyone’s
favourite places and written in every
manner and mode. There’s birth, death,
sex, religion, art, food, fashion, war,
family, schooldays, technology, magic,
innocence, crime, love, pain and the whole
damned thing. There’s Sydney, Melbourne,
New York, Rome, Venice, Paris, Barcelona,
Portugal, Mexico, Gethsemane and
Woodpecker Point. And it’s all wrapped up
in a style that, with brilliant, knowing
playfulness, makes Gothic and Grand
Guignol seem colloquial, normal, everyday,
while lending a sublimity to cliché, a
transcendence to bathos.
My favourite character, lethally
portrayed, is a headmistress, Dr Silver,
who’s a Mrs Malaprop of platitudes.
‘Medieval legend or soap?’ the narrator
asks at one point. We get the best of both
worlds here, as Dr Silver might answer.
But it’s true. Where in this fantastic
confection could I possibly find myself?
As it turns out, in several strands of the
plot, and in various aspects of nearly all
the characters, even minor ones. The
action centres around the hunt for a
missing religious statue, and celebrates
the ‘thrill of getting control of an
object that should be out of your reach’.
Only a few weeks before I came to read
this book I was involved in a hunt, not
for a sacred object, but a very profane
one – the missing diaries of a notorious
artist whose biography I’m writing. These
had been missing for nearly 65 years.
Through extraordinary luck I turned them
up in the most unlikely place.
Carmel Bird’s novel not only captures the
thrill of the chase, the fanatical urge,
the mad hope that I came to feel so keenly
but also the inordinate sense of miracle
when the grail is actually located. But
this is only one of multitudinous
connections I found with my own life,
career, sensibility. ‘I am drawn to secret
autobiography expressed in code,’ says the
narrator at another point. Any other
reader, I’m convinced, will find his or
her own autobiography here too.
It’s spooky, but this book knows you
better than you’ll ever know this book.
That’s part of its enduring mystery, both
in the sense of a deeply spiritual drama
and the curliest crime fiction. Thus does
it combine in one the two genres of which
Carmel has long been a recognised master.
Rush out to buy it and be spooked."
Click on the video below to hear
Carmel discussing the book.
The video clip here requires QuickTime
"It is strange and fascinating to
me to think of people – Avila in particular –
praying me into existence."
Sydney Peony Kent is a nineteen
year-old American. She was a longed-for IVF baby,
'product of an unknown egg and unknown sperm'
implanted in her mother, Avila. Avila not only
used the latest scientific techniques to conceive
Sydney, but also prayed to the Bambinello, a small
carved and jewelled statue of the infant Jesus
housed in the church of Santa Maria in Aracoeli in
Rome and is said to have miraculous properties.
Avila's distant relative, Father Roland Bruccoli,
was conceived in a more conventional manner, but
his mother too prayed to the Bambinello before his
birth -- and that of his twin sister Eleena. It is
when the adult Roland is visiting the church of
Santa Maria one evening that the Bambinello is
stolen. Roland hopes that Father Cosimo, an
archivist, poet and riddler said to speak in the
ancient green language of the troubadours, can
assist in discovering what has happened to the
Bambinello. But when matters of belief are
involved, nothing is straightforward, as Sydney
discovers herself when she too becomes caught up
in tracing the Bambinello's fate.
Deftly weaving together religion,
science, pregnancies wanted and unwanted, love,
loss and belief, Carmel Bird has created a
luminous novel that both questions and celebrates
"Earthy, grounded, yet singing to
the heart and spirit with its delicious writing,
Child of the Twilight by Carmel Bird invites the
reader to consider the enormous mysteries of
existence—the winking in and out of earthly
existence that we call ‘life’-- from a highly
original perspective. The filmy boundaries between
worlds are tested as 19 year-old Sydney, herself
the result of Assisted Reproduction, without any
knowledge about her genetic origins, narrates the
stories of the lives, dreams, prayers and desires
of the people in her orbit. This creates a rich,
multi-layered novel.The mystery of the stolen
Bambinello an image of the Holy Child, vanished
from his shrine in an act of sacred theft (the
Furta Sacra of medieval times) provides a subtle
template for readers to understand the events of
our lives. The writing, always fresh and
brilliant, alternatively dances and pounces. Child
of the Twilight is the sort of book that keeps on
unfolding in the imagination, long after you’ve
finished reading it."
IN JULY 2010
HARPERCOLLINS WILL PUBLISH
AN ANTHOLOGY EDITED BY CARMEL.
THIS WILL BE
A COLLECTION OF ESSAYS BY TEN AUSTRALIAN WRITERS
ON THE MEANING OF HOME.
THE TITLE IS
Carmel's most recent book on
writing is a manual on how to write memoir, Writing
the Story of Your Life, which
was published in 2007. In 2006 she published a
collection of short fiction,
The Essential Bird. In
2005 she published a literary novel
Cape Grimm. These three
examples of her work are a reflection of three of
her strengths - novel, short story and the
teaching of writing skills. She has also written
essays which are collected in
published in 1996. In 2000 Carmel edited an
anthology of short fiction spanning the twentieth
The Penguin Century of Australian
Stories, and in 1998 she edited
the oral histories of members of the stolen
generations of indigenous Australians in The
Stolen Children, Their Stories.
There is a full list of
publications on the BOOKS
Carmel grew up in Tasmania, and
the influence of the landscape and history of the
island is often apparent in her work, in such
examples as the ballet she wrote for Tasdance in
Fair Game, and in her
radio play on the life of an indigenous Tasmanian
girl, Mathinna, titled In My Father's
House, broadcast on ABC
Australia and on the BBC.
In 2000 Peter Long's film version
of Carmel's story
A Telephone Call For Genevieve Snow
won the Silver Lion Award at the Venice Film
Carmel has taught writing to
students in schools, universities and communities,
and has edited several literary journals.